"Russian born, now London based producer FJH steps up with a very generous offering to the bass music community: the Metamorphosis EP. This EP takes no time getting to the point; ‘Cursed Triangle’ instantly surrounds the listener with cool chords, beating percussion, and a warm sub. Horns swell as the bass line gallops along, all the while fuzzy hints of a vocal hum embraces the listener. ‘Dirty Hands’ slows down the action with a smooth lead and laid back plucks. A driving sub guides the track along as minimally appropriate percussion accompany. Midway though the track electro stabs command attention, further adding to the downtempo- yet grooving and lustful- rhythm. ‘Mort’ picks the pace back up with piano chords, guitar licks, smooth vocals, and other tasteful orchestrations. A hollow bass hits first while the familiar sub follows in aftermath. The track does not let up, as new and interesting orchestrations take turns presenting themselves within the music, all the while the beat keeps the listener’s head moving. Last but definitely not least is ‘Second Jahz’. Reversed female vocals play as jittery percussion, guitar chords, piano hits, and a melancholic violin open the track. Sub and piano guide the track as precise beats and fx fills the air around the sad vocals. A twisting midrange presents itself after the vocalist takes a break, only to be joined in duet moments later. This brilliant collaboration plays through the rest of the track until a solitary piano, reminiscent of a pianist playing out a vocalist in a small, dark, and smoke-filled 20th century lounge, closes the EP. With no moment short of sonic brilliance, FJH really sets the bar high and takes no prisoners with the Metamorphosis EP. This is not one to miss for lovers of smooth, yet driving, bass music." - @echomaker
"We here at 4D have been fortunate enough for the opportunity to team with Iron Shirt Recordings on their latest project: a free release from the one Yokai. Mystery surrounds the man, a mystery which spills over into his weighty productions. ‘Odd’ wastes no time imprinting this distinction as it is introduced with a troubling vocal and completely alien tone. As the apprehension mounts, listeners are reintroduced to something familiar… weight. Yokai holds no bars at the drop with a threatening halfstep combination of subsonic frequencies and midrange creations that might as well originate from Mars. ‘Horror Park’ further twists dark perceptions out of the sound spectrum with an all too real theme park score. It’s apparent that this production could serve as a dancefloor basher with all of its weight and snap, yet it also aspires to be something more cerebral – a mindmelding, late night headphone listen. A big thank you to Yokai and Iron Shirt Recordings for sharing this unique set of tunes with us (for free, nonetheless) and, of course, out to all of the Deep, Dark, Dungeon, Dubstep supporters out there." - @drooka
No stranger to the 4D blog, Scottish producer The Nibelheim Incident presents “The Snake Devil”. Ancient, mysterious pads open the story-tale of a track, while hissing and bending hats pick up and lead the way. The narrator does his job at explaining the Snake Devil, but the music really does the telling. Quick hits ferry the track along, while driving percussion sit in the back ground. The Snake Devil lets out a horrendous scream in the second drop, neatly wrapping up the kind of narrative track that we would expect from The Nibelheim Incident.
Ibiza-based producer kai li’s Whalesong is a special one. A lush pad invites the listener in, only to be bombarded with a wild pulsating sub line. Swinging drums and percussion lines intertwine while dark growls mysteriously fill the air, all while the the somber pad washes over the beat, like slow sad waves on a beach. If Whalesong serves as any clue into the future, it’s safe to say that we can expect a lot more from the one known as kai li… @kailimusic
Italian producer Stereotipate presents a unique track called “Misanthropic”, and what a track it is. The soft sound of wind, accompanied by a kick, crash, and hat, grab the listener instantly from the beginning of the track. Shakers fasten the pace while the occasional midrange growl sneaks in and out, eventually leading to the first drop. Rather than dominating the track like most first drops do, the first drop in “Misanthropic “ seems to be more-or-less a part of the introduction, as the real magic happens later in the first drop, and predominantly in the second. Clear percussion, grooving kicks, a throbbing sub, and the occasional midrange keep the listener interested throughout this adventure of a track. While you’d think a track titled Misantrophic would aim to alienate one from humanity, Stereotipate’s production seems to lend to the opposite effect.
UK producer Aces.R steps up for his 2nd 4D exclusive, and he’s not holding back for this one. “Durin’s Bane” comes with jittery intricate drums, intimidating blips and ambiances, and of course, deep sub and dark growls. Everything you’d want out of a Deep, Dark, Dungeon Dubstep download, out to Aces.R on this one.
Apologies for the lack in content lately, I (Echomaker) don’t have internet at home anymore, and Drooka has been really busy lately, but we’re proud to announce the latest 4D EP, Krease’s “Soundboy Plate Remixes”, featuring a remix by Dead Noise System, a VIP by Krease himself, and a footwork remix by Crypticz.
Lots more to come soon, but for now, enjoy this weighty one!