4D’s own Drooka teams up with 4D regular Krease to put together this dark mechanical one called ‘Tinman’. A sparse and clean minimal intro starts off the tune, with basic percussion and an accompanying ambiance. At the 51 second mark, the Tinman announces his presence, at which point all hell breaks loose. Krease’s trademark oldschool wobbles and deep 808’s take the listener without mercy, as a screeching metallic sound dances through the air. Percussion that screams Drooka (with hints of Krease’s work) hold the track together. This beautiful formula plays on for the most of the tune, and I personally wouldn’t have it any other way. Krease switches up his bass work for the second drop, with more presence of his wobbles and the interactions of them between the other elements of the tune. Both producers’ individual talents really shine through on this one, out to Drooka and Krease for the free download! Let’s hope this isn’t the only collaboration the two see.
Epoxtacy presents his darkly written ‘Multiverse’ to the 4D world. Straight from the 00:00 mark, a dark ambiance fills the air. Hi-hats create a sort of life-raft for the listener to hold on to, later joined by kicks. This sea of darkness continues until the heavy sub and waving growl intertwine the sparse, yet groovy beat. As the tune progresses, the midrange takes more varied dominance over the track, as bongos and an even more chilling ambiance are introduced. A tastefully minimal one, despair fills this multiverse.
"Russian born, now London based producer FJH steps up with a very generous offering to the bass music community: the Metamorphosis EP. This EP takes no time getting to the point; ‘Cursed Triangle’ instantly surrounds the listener with cool chords, beating percussion, and a warm sub. Horns swell as the bass line gallops along, all the while fuzzy hints of a vocal hum embraces the listener. ‘Dirty Hands’ slows down the action with a smooth lead and laid back plucks. A driving sub guides the track along as minimally appropriate percussion accompany. Midway though the track electro stabs command attention, further adding to the downtempo- yet grooving and lustful- rhythm. ‘Mort’ picks the pace back up with piano chords, guitar licks, smooth vocals, and other tasteful orchestrations. A hollow bass hits first while the familiar sub follows in aftermath. The track does not let up, as new and interesting orchestrations take turns presenting themselves within the music, all the while the beat keeps the listener’s head moving. Last but definitely not least is ‘Second Jahz’. Reversed female vocals play as jittery percussion, guitar chords, piano hits, and a melancholic violin open the track. Sub and piano guide the track as precise beats and fx fills the air around the sad vocals. A twisting midrange presents itself after the vocalist takes a break, only to be joined in duet moments later. This brilliant collaboration plays through the rest of the track until a solitary piano, reminiscent of a pianist playing out a vocalist in a small, dark, and smoke-filled 20th century lounge, closes the EP. With no moment short of sonic brilliance, FJH really sets the bar high and takes no prisoners with the Metamorphosis EP. This is not one to miss for lovers of smooth, yet driving, bass music." - @echomaker
No stranger to the 4D blog, Scottish producer The Nibelheim Incident presents “The Snake Devil”. Ancient, mysterious pads open the story-tale of a track, while hissing and bending hats pick up and lead the way. The narrator does his job at explaining the Snake Devil, but the music really does the telling. Quick hits ferry the track along, while driving percussion sit in the back ground. The Snake Devil lets out a horrendous scream in the second drop, neatly wrapping up the kind of narrative track that we would expect from The Nibelheim Incident.
Ibiza-based producer kai li’s Whalesong is a special one. A lush pad invites the listener in, only to be bombarded with a wild pulsating sub line. Swinging drums and percussion lines intertwine while dark growls mysteriously fill the air, all while the the somber pad washes over the beat, like slow sad waves on a beach. If Whalesong serves as any clue into the future, it’s safe to say that we can expect a lot more from the one known as kai li… @kailimusic
Apologies for the lack in content lately, I (Echomaker) don’t have internet at home anymore, and Drooka has been really busy lately, but we’re proud to announce the latest 4D EP, Krease’s “Soundboy Plate Remixes”, featuring a remix by Dead Noise System, a VIP by Krease himself, and a footwork remix by Crypticz.
Lots more to come soon, but for now, enjoy this weighty one!
Northern California based bass music producer (and Full Crate Records co-owner) The Goon was kind enough to share his track “Warp”, which was previously featured exclusively on the Full Crate Vol. 2 physical compilation. This deep, yet almost grimy, one is a tune we’re proud to host.